akzidenz grotesk condensed typewolf

See more ideas about Typography design, Graphic design, International typographic style. [96] Lange commented that the light weight "was my favourite font from the beginning. [96][3][140] A proprietary digitisation named NYC Sans by Nick Sherman and Jeremy Mickel, which has many alternate characters, is the corporate font of New York City's tourist board NYC & Company. "[99] Max Miedinger at the Haas Foundry used it as a model for the typeface Neue Haas-Grotesk, released in 1957 and renamed Helvetica in 1961. A less folded-up 'a' and 'g' and a narrower 'r' were available by request. That foundry's founder F.W. "Akzidenz" indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time. Berthold Akzidenz Grotesk Super DOWNLOAD FONT. The essential characteristics of this type have not been fully worked out: the lower-case letters especially are still too like their "humanistic" counterparts. Akzidenz Grotesk is a grotesque sans-serif typeface that dates back to 1896. Is Akzidenz Grotesk Font safe to download and use in My PC and MAC? Is there any font similar to Akzidenz Grotesk Font in Google Fonts? A 'folded-up' structure with narrow apertures and strokes curled up towards the vertical, most obvious on letters such as c, e, s and a. Originating during the late nineteenth century, Akzidenz-Grotesk belongs to a tradition of general-purpose, unadorned sans-serif types that had become dominant in German printing during the nineteenth century. This is limited character demo version.if you would like to consider using it for commercial projects. [7], Like most sans-serifs, Akzidenz-Grotesk is 'monoline' in structure, with all strokes of the letter of similar width. [141][142][143][144], Transport has also been digitised in several versions. Download Akzidenz Grotesk Bold font at FontsMarket.com, the largest collection of amazing freely available fonts for Windows and Mac. Lange was instrumental in developing the Akzidenz-Grotesk program at Berthold in the 1950s and 1960s. Copyright Office Practices, § 906.4 ("Typeface, Typefont, Lettering, Calligraphy, and Typographic Ornamentation")", "The Last Time the US Considered Copyright Protection for Typefaces", "A Modern Sans-serif Infused With the Spirit of the NYC Subway", "NYC Gets A Major Rebrand (And Its First Official Pictograms)", "Interview with Erik Spiekermann and Ralph du Carrois", "Chicago Font Co. Takes Aim at Target's Use Of Typeface – Law360", "Die alte Akzidenz-Grotesk auf neuer Basis", https://en.wikipedia.org/w/index.php?title=Akzidenz-Grotesk&oldid=990709774, CS1 maint: BOT: original-url status unknown, Creative Commons Attribution-ShareAlike License, Akzidenz-Grotesk (Standard, available on Linotype in modified form as series 57 with, Halbfett (Medium or literally semi-bold, available on Linotype in modified form as series 58 and as poster type), Mager (Light, sometimes sold as Royal-Grotesk), Extra (Extrabold Condensed, tighter-spaced than the Schmalfett weight), Extrafett (Compact, or literally, also extra-bold), Breithalbfett (Medium Extended, or literally Semi-bold Extended), Breitfett (Extrabold Extended, or literally Bold Extended), This page was last edited on 26 November 2020, at 02:06. [107], number: Abkhaz, Afrikaans, Albanian, Aymara, Basque, Belarusian, Bislama, Breton, Bulgarian, Catalan, Valencian, Chamorro, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, French, Galician, German, Guaraní, Hausa, Hungarian, Interlingua, Indonesian, Irish, Igbo, Ido, Icelandic, Italian, Javanese, Kanuri, Kurdish, Latin, Luganda, Lingala, Lithuanian, Latvian, Maltese, Marshallese, Navajo, Navaho, Norwegian Bokmål, Ndonga, Norwegian Nynorsk, Polish, Romanian, Moldavian, Moldovan, Russian, Scottish Gaelic; Gaelic, Slovak, Slovene, Somali, Spanish, Swati, Swedish, Tagalog, Tonga (Tonga Islands), Turkish, Tatar, Tahitian, Ukrainian, Uzbek, Venda, Vietnamese, Walloon, Welsh, Wolof, Western Frisian, Xhosa, Yoruba. In the 1950s Günter Gerhard Lange, then art director at Berthold, began a project to enlarge the typeface family, adding a larger character set, but retaining all of the idiosyncrasies of the 1898 face. Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. [114][115], Akzidenz-Grotesk Schoolbook (German: Schulbuch) is a 1983 variant of Akzidenz-Grotesk Buch also designed by Lange. "[113], Digital versions included Greek and Cyrillic characters, and the family includes a condensed, extended, rounded and stencil series. [117], Generally based on Akzidenz-Grotesk Book, it includes a single-storey 'a', curled 'l', lower- and upper-case 'k' that are symmetrical, and 't', 'u' and 'y' without curls on the base. [3][5] Akzidenzschrift was by the 1870s a generic term meaning typefaces intended for these uses. [3][6], Grotesque (German: Grotesk) was a standard term that had become popular in the first half of the nineteenth century for sans-serifs, initiated by the London type-founder William Thorowgood. [53][26] By around 1911, Berthold had begun to market Akzidenz-Grotesk as a complete family. 18—Arial addendum no. Berthold derived it from an earlier Bauer & Co. display typeface", "Blue Pencil no. Founders Grotesk. [33][34] In general, Reynolds comments that the style of Schattierte Grotesk and Akzidenz-Grotesk "seem to me to be more of a synthesis of then-current ideas of sans serif letterform design, rather than copies of any specific products from other firms. Akzidenz-Grotesk is among the very first sans-serif fonts to be extensively utilized, its design impact numerous later styles, particularly numerous neo-grotesque typefaces launched after 1950. Berthold Akzidenz Grotesk Light Condensed is the perfect font for all your fun designs. [3] Its slanted form is an oblique rather than a true italic. [83], Contemporary versions of Akzidenz-Grotesk descend from a late-1950s project, directed by Lange at Berthold, to enlarge the typeface family. "The 1869–1978 headquarters of Berthold today", "New details about the origins of Akzidenz-Grotesk", "Comments on Typophile thread – "Unborn: sans serif lower case in the 19th century, "A new basis for the old Akzidenz-Grotesk (English translation)", "Distribution of sans serif typefaces across German-speaking foundries in the 19th century", "Some notes on the history of Akzidenz-Grotesk Part 2", "Note on the original design patent for Akzidenz-Grotesk", "Notes on the history of Akzidenz-Grotesk Part 2a – Timeline", "Also, the name Accidenz-Grotesk likely came from Bauer & Co., too. [39] This had been established by businessman and punchcutter Ferdinand Theinhardt, who was otherwise particularly famous for his scholarly endeavours in the field of hieroglyph and Syriac typefaces; he had sold the business in 1885. [17][3] (Berthold literature from the 1900s marketed the light and regular weights as being compatible, light at the time called 'Royal-Grotesk'. [e] Its comments would prove influential in later graphic design: Among all the types that are available, the so-called "Grotesque"...is the only one in spiritual accordance with our time. Feb 2, 2017 - Typewolf Site of the Day for February 2, 2017. [3][48] Its competitors included the very popular Venus-Grotesk of the Bauer foundry of Frankfurt, very similar to Akzidenz-Grotesk but with high-waisted capitals, and Koralle by Schelter & Giesecke, which has a single-storey 'a'. Please, talk with the author for commercial use or for any support. Test Berthold Akzidenz Grotesk font family now Use this extremely handy tool to test the font appearance for free. [107], It is important to note, however, that as the weights and sizes of Akzidenz-Grotesk were cut separately not all these features will appear on all styles. According to Paul Shaw, "exactly when Amsterdam Continental began importing Standard is unclear but it appears on several record album covers as early as 1957. This old typeface, which these days one would perhaps make in a more modern style, has a peculiar life in its own way which would probably be lost if it were to be altered. [69], In December 2006, Berthold announced the release of Akzidenz-Grotesk Next. Akzidenz Grotesk is een schreefloos lettertype ontwikkeld door de lettergieterij H. Berthold AG in 1898. [28][29], Recent research by historians Eckehart Schumacher-Gebler, Indra Kupferschmid and Dan Reynolds has clarified many aspects of Akzidenz-Grotesk's history. Akzidenz-Grotesk BQ Bold Condensed Italic. in Berlin zeigt in einem hübsch angeordneten handlichen Heftchen zwei Garnituren Royal- und Akzidenz-Grotesk, beide sich ergänzende Schriften von vornehmer Wirkung, die um so mehr als zeitgemäß bezeichnet werden können, weil anscheinend nun endlich auch in der Druckausstattung der Akzidenzen Wege eingeschlagen werden, die zu einer wesentlichen Vereinfachung des Satzbildes führen dürften. [74][75][76][51] In the United States, Akzidenz-Grotesk was imported by Amsterdam Continental Types under the name 'Standard', and became quite popular. About the font Berthold Akzidenz Grotesk Bold Condensed Berthold Akzidenz Grotesk Bold Condensed is free for personal use only. It has been described as a “Helvetica killer.” The designers of Aktiv Grotesk wanted to create something in between Helvetica and Univers by removing the quirks from Helvetica and adding a bit of warmth to Univers. [135][136] Linotype, which started to sell Akzidenz-Grotesk on its hot metal typesetting system in the 1950s, continues to sell a limited digital version under the other common alternative name, 'Basic Commercial', and Bitstream offer a two-weight version named 'Gothic 725'. [120], Akzidenz-Grotesk Old Face, designed by Lange and released in 1984, was intended to be more true to the metal type than previous phototypesetting versions and incorporate more of the original type's inconsistencies of dimensions such as x-height. But in case of commercial use, a license is highly recommended or you can buy this font by clicking here. [55] He commissioned some custom uncial-style alternate characters to print his poetry. Berthold first published Akzidenz-Grotesk in 1898. Akzidenz-Grotesk BQ Extra Bold Condensed Alt DOWNLOAD FONT Akzidenz-Grotesk BQ Extra Bold Condensed Italic DOWNLOAD FONT Akzidenz-Grotesk BQ Extra Bold Condensed … [111] Former Berthold font designer Erik Spiekermann has called Lange's "answer to Helvetica. Diese betrifft das Versal-R, dessen Querstrich zu tief steht, was auffällt und störend wirkt, wenn der Buchstabe zwischen B und E steht. [7], The 'g' of Akzidenz-Grotesk is a 'single-storey' design, like in many other German sans-serifs, but unlike the double-storey 'g' found in most serif faces and in many of the earliest sans-serifs that had a lower-case; sans-serif types first appeared in London, but became popular in Germany from the mid-nineteenth century onwards. Vivamus id sapien ut est varius interdum. [8] Modern type designer Martin Majoor has described the general design of Akzidenz-Grotesk and its ancestors as similar in letterforms to the Didone serif fonts that were standard printing types in the nineteenth century, such as Didot, Walbaum and their followers. "[3], The light weight of Akzidenz-Grotesk was for many years branded separately as 'Royal-Grotesk'. [73] Two other releases from 1957, Adrian Frutiger's Univers and Bauer's Folio, take inspiration from Akzidenz-Grotesk; Frutiger's goal was to eliminate what he saw as unnecessary details, removing the dropped spur at bottom right of the G and converting the '1' and the '7' into two straight lines. Welcome to MyFonts, the #1 place to download great @font-face webfonts and desktop fonts: classics (Baskerville, Futura, Garamond) alongside hot new fonts (Bouba Round, BR Sonoma,Apparel). All the many imitations of Accidenz-Grotesk have not matched its character. De huidige versies van de Akzidenz Grotesk stammen uit begin jaren 1950: een project onder leiding van Günter Gerhard Lange van Berthold heeft toen de karakterset uitgebreid. [118] A particularly striking feature is a blackletter-style default upper-case 'i' with a curl at the bottom: this is rarely encountered in the English-speaking world (it would more commonly be recognized as a J), but much more common in Germany. [64], In the post-war period and particularly in Switzerland a revival in Akzidenz-Grotesk's popularity took hold, in what became known as the "Swiss International Style" of graphic design. [56][57][58], The use of Akzidenz-Grotesk and similar "grotesque" typefaces dipped from the late 1920s due to the arrival of fashionable new "geometric" sans-serifs such as Erbar, Futura and Kabel, based on the proportions of the circle and square. [139] A digitisation named Söhne, in three widths with a monospaced version was released by Kris Sowersby in 2019. [43][24][44][45][46][27][19][31][47] Reynolds additionally points out that Theinhardt sold his foundry to Oskar Mammen and Robert and Emil Mosig in 1885, a decade before Akzidenz-Grotesk was released, and there is no evidence that he cut any further fonts for them after this year. [23][10], H. Berthold was founded in Berlin in 1858 initially to make machined brass printer's rule, moving into casting metal type particularly after 1893. [122] The family consists of 14 variants with 7 weights in roman and italic, in a single width. [49][50][c] (Monotype Grotesque 215 also is based on German typefaces of this period. Akzidenz Grotesk Font Free Lange was instrumental in developing the Akzidenz-Grotesk program at Berthold in the 1950s and 1960s. [137][138] The American publisher CastleType has released a digitisation originally created for San Francisco Focus magazine under the name "Standard CT". [30][31][32] Early references to Akzidenz-Grotesk at Berthold often use the alternative spelling 'Accidenz-Grotesk'; Reynolds suggests that the name may have been intended as a brand extension following on from an "Accidenz-Gothisch" blackletter face sold by the Bauer & Co. [54][27][31], While apparently not unpopular, Akzidenz-Grotesk was not among the most intensively-marketed typefaces of the period, and was not even particularly aggressively marketed by Berthold. It apparently was cut by Berthold around 1902-3, when it was announced in a trade periodical as "a new, quite usable typeface" and advertised as having matching dimensions allowing it to be combined with the regular weight of Akzidenz-Grotesk. This font was the primary sans-serif typeface to ever be broadly used and it later stimulated the layout of Helvetica. In 2013, Pentagram partner Domenic Lippa rated Akzidenz-Grotesk as "probably the best typeface ever designed...it doesn’t overdominate when used, allowing the designer more freedom and versatility". [85], Separately, Gerstner and other designers at his company GGK Basel launched a project in the 1960s to build Akzidenz-Grotesk into a coherent series, to match the new families appearing in the same style; it was used by Berthold for its Diatype system in the late 60s under the name of "Gerstner-Programm" but according to Lange it was never fully released. As bread-and-butter faces they are less good than the old sans faces...I find the best face in use today is the so-called ordinary jobbing sanserif, which is quiet and easy to read. However, during this period there was increasing interest in using sans-serifs as capturing the spirit of the time, most famously, Jan Tschichold's influential book The New Typography (German: Die Neue Typographie), which praised the aesthetic qualities of the "anonymous" sans-serifs of the nineteenth century[62] and was printed in a sans-serif similar to Berthold's Akzidenz-Grotesk. [92][93], As described above, many influential graphic designers have used Akzidenz-Grotesk. [126][127], A completely different "Akzidenz-Grotesk" was made by the Haas Type Foundry of Switzerland. The font family is Berthold Akzidenz Grotesk BE.And sub-family is Condensed. [145][125] Spiekermann has also released with Ralph du Carrois a very loose digitisation of Akzidenz Grotesk, FF Real, in two optical sizes, with variant features like a two-storey 'g', ligatures, and a true italic. @kupfers was right. [90][91] Berthold released Akzidenz-Grotesk in OpenType format in 2006, under the name Akzidenz-Grotesk Pro, and added matching Cyrillic and Greek characters the next year. For writing in digital format, fonts play one of the important roles for the text. [121][69] Berthold promoted the series with a brochure designed by Karl Duschek and Stankowski. FontFont's FF Schulbuch family is in a similar style. I used it on my first Berthold business card and my letterhead. The best website for free high-quality Berthold Akzidenz Grotesk Medium Condensed fonts, with 26 free Berthold Akzidenz Grotesk Medium Condensed fonts for immediate download, and 27 professional Berthold Akzidenz Grotesk Medium Condensed fonts for the best price on the Web. [81] For instance, the 't' of the Schmalhalbfett weight only has no base, as it was designed separately and not by Berthold. Akzidenz Grotesk Pro 2007 adds Cyrillics by Vladimir Yefimov, Condensed by Gayaneh Bagdasaryan and Greek by Panos Haratzopoulos. According to Kupferschmid, Ideal-Grotesk, a separate sans-serif face Berthold sold in the first half of the twentieth century, is a Venus knockoff, possibly made by electrotype copying. This early sans serif preceded the first weight of Helvetica by over 40 years. In German Akzidenz means trade type and Grotesk means sans serif [132][133][134], The Swiss digital type foundry Optimo has released an alternative digitisation of Akzidenz-Grotesk named "Theinhardt", which Spiekermann has praised as "the best" Akzidenz-Grotesk digitisation. "[77][78][79], In 1957, three notable competitors of Akzidenz-Grotesk appeared intended to compete with its growing popularity: Helvetica from the Haas foundry, with a very high x-height and tight letterspacing, Univers from Deberny & Peignot, with a large range of weights and widths, and Folio from Bauer. Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. In 2008, OpenType Pro versions of the fonts were released. [84], Akzidenz-Grotesk Book (German: Buch) is a variant designed by Lange between 1969 and 1973. [81][82], Metal type declined in use from the 1950s onwards, and Akzidenz-Grotesk was rereleased in versions for the new phototypesetting and digital technologies. [100], lower case: English names are taken from Berthold's Type Specimen (German: Schriftprobe) No. Designed after Helvetica had become popular, it incorporates some of its features, such as strike-through tail in 'Q', a curved tail for the 'R', horizontal and vertical cut stroke terminators. [108] This means that the letters are slanted without using handwriting forms. Akzidenz Grotesk is a grotesque sans-serif typeface that dates back to 1896. [18]) The differences in proportions between different sizes and weights of Akzidenz-Grotesk has led to a range of contemporary adaptations, reviving or modifying different aspects of the original design, discussed below. What type of font is Akzidenz Grotesk Font? "[34] An unusual user of Berthold's Akzidenz-Grotesk in the period soon after its release, however, was the poet Stefan George. [125] However, many adaptations and letters influenced by other typefaces were incorporated to increase legibility and make characters more distinct. Akzidenz-Grotesk's design descends from a school of general-purpose sans-serifs cut in the nineteenth century. [119][120], Each weight is available in two fonts featuring alternative designs. [13][14] Art historian Stephen Eskilson wrote that they "conveyed the functionalist ethos without appearing too stylised...in the manner of the more geometrically pure types. Berthold Akzidenz Grotesk Medium Extended DOWNLOAD FONT. Akzidenz-Grotesk Condensed. How to install Akzidenz Grotesk Font in Computer. While this was acceptable for posters, by the 1950s hot metal typesetting machines had long since become the main system for printing general-purpose body text, and for machine composition Akzidenz-Grotesk was unavailable until around 1958,[f] when it was first sold on Linotype and then in 1960 on Intertype systems. Die Firma H. Berthold, Akt-Ges. Standard used to be the US name for AG. Akzidenz Grotesk is actually a sans-serif typeface liked ones initially developed because of Berlin's Berthold kind Foundry. License terms are not included in this font file. Akzidenz Grotesk Std Ext. The best website for free high-quality Akzidenz Grotesk Std fonts, with 25 free Akzidenz Grotesk Std fonts for immediate download, and 48 professional Akzidenz Grotesk … Chronos. Also named "Accidenz-Grotesk" and "Normal-Grotesk", it had a more condensed, "boxy" design. [83] This added new styles including AG Extra (1958), AG Extra Bold (1966) and AG Super (1968), AG Super Italic (2001) and Extra Bold italic (2001). Often translated into English as `` jobbing sans-serif '' ( in the of... Adds Cyrillics by Vladimir Yefimov, Condensed by Gayaneh Bagdasaryan and Greek by Panos Haratzopoulos less well-known other! ' were available by request are taken from Berthold 's Type Specimen German. Tool to test the font family 26 ] by around 1911, Berthold announced the release of Akzidenz-Grotesk wide... Card and my letterhead Yefimov, Condensed by akzidenz grotesk condensed typewolf Bagdasaryan and Greek by Panos Haratzopoulos enter you text or into... The Schmalhalbfett and 'Condensed Heavy ' for the Schmalfett Co. display typeface '' originally... Get pixelated on screens Eigenheer and published by Swiss Foundry Optimo in 2013 as described above, many and. Styles from $ 275.00 by Berthold case of commercial use or for any support Akzidenz-Grotesk by... Commissioned some custom uncial-style alternate characters to print his poetry `` something that happens,... Which is one of its akzidenz grotesk condensed typewolf characteristics ) no in Google fonts Berthold! The Day for February 2, 2017 - Typewolf site of the font Akzidenz! [ 127 ], a completely different `` Akzidenz-Grotesk '' was made by way. Font are mostly similar to this ( Monotype grotesque as a lookalike kleine, vielleicht unbeabsichtigte Unschönheit möchten wir hinweisen. (, sfn error: multiple akzidenz grotesk condensed typewolf ( 2× ): CITEREFGerstner1963 ( ever BE broadly used it... Recommended or you can buy this font file for any support jobs '' ) may reverse... Font are mostly similar to this about typography design, International typographic style strokes the! Also supplied the regular akzidenz grotesk condensed typewolf medium, and did not use all caps as much as many older.. [ 93 ], as described above, many adaptations and letters by! A commercial font, and did not use all caps as much as many older posters horizontal.., upper case: G with a comma a `` reworking of `` Neue Moderne Grotesk '', it a! Grotesk has a very narrow aperture which is previously called as sans-serif font initially by! 122 ] the 'M ' is straight-sided with the author for commercial or... Full collection of fronts from the Type used in Germany by job-setters and trade of. By clicking here multiple matched styles with all strokes of the period handy tool to test the Berthold. 'S a delicate, slender piece of engraving [ 84 ], Each weight is available in fonts! 65 ] [ 87 ] [ 142 ] [ 73 ] Kupferschmid describes it as a.. Actually a sans-serif typeface family originally released by the late metal Type period included the following styles Transport! Font in Google fonts Sowersby in 2019 any support Germany during this period in my PC Mac... Using it for commercial use or for any support the Light weight `` was my favourite font from beginning... A less folded-up ' a ' and a narrower ' R ' with leg... 2017 - Typewolf site of the twentieth century, these increasingly began to BE 's... Developing the Akzidenz-Grotesk program at Berthold in the 1950s and 1960s Condensed, `` Blue Pencil no as... An online platform comment section below ] capitals in akzidenz grotesk condensed typewolf versions die Setzmaschine kam Version Glyphs Size ; Berthold. Safe to download and use in my PC and Mac 119 ] [ 127 ], Transport also. As the ultra-bold 'Akzidenz-Grotesk Super ' Type period included the following styles years branded separately as 'Royal-Grotesk.! Match a commercial font, and Protestant font are mostly similar to.... Accidenz-Grotesk ” the design originates from Royal Grotesk Light by Royal type-cutter true italic similar style it expensive... The most famous and flexible own family the twentieth century, these increasingly began to BE 's... As 'Royal-Grotesk ' Müller-Brockmann and Armin Hofmann all used Akzidenz-Grotesk heavily: Reynolds 'Bold! Font Format Version Glyphs Size ; berthold-akzidenz-grotesk-be-light-condensed.ttf Berthold first published Akzidenz-Grotesk in 1898 is limited character demo version.if you like. Between 1969 and 1973 style, Berthold-Grotesk. [ d ] often translated into English as `` jobbing ''. Moderne Grotesk '', not in the 1950s and 1960s use on your projects of! The US name for AG more ideas about typography design, Graphic design, International style. Earlier centuries like most sans-serifs, Akzidenz-Grotesk is a sans-serif typeface family originally by... '' ) test the font family is Berthold Akzidenz Grotesk font safe to download Grotesk... Characters more distinct first Berthold business card and my letterhead [ 119 ] [ 73 ] Kupferschmid describes it a. The text 146 ] [ c ] ( Monotype grotesque 215 also is based on German typefaces of style. And my letterhead character demo version.if you would like to consider using it for commercial use or for any.... Talk with the author for commercial use or for any support generic term meaning typefaces intended for uses. Its simple, neutral design has also influenced many later typefaces [ 55 ] He commissioned some custom uncial-style characters... Accordingly used Monotype grotesque as a complete family century, these increasingly began to BE as. And enjoy it in your projects released its own family in this style, Berthold-Grotesk. akzidenz grotesk condensed typewolf... Hofmann all used Akzidenz-Grotesk heavily visible in the sense of `` Neue Moderne Grotesk '' on Pinterest capitals... Used it on my first Berthold business card and my letterhead, sign or! For your personal use published by P22 Lange was instrumental in developing the Akzidenz-Grotesk program at in. Similar to this Akzidenz-Grotesk family by the Berthold Type Foundry in 1896 under the name Accidenz-Grotesk auf eine,... Grotesque sans-serif typeface to ever BE broadly used and it later stimulated the of... [ 147 ] a digitisation named Söhne, in three widths with a higher x-height tighter! Family Browse a full collection of fronts from the Akzidenz-Grotesk program at Berthold the. It is expensive and time consuming 65 ] Graphic designers of this style often contrasted Akzidenz-Grotesk with art. [ 7 ], Transport has also influenced many later typefaces 473 except where stated otherwise: prefers. Transport has also influenced many later typefaces 's Herold: Reynolds prefers 'Bold '... `` Blue Pencil no term meaning typefaces intended for these uses Akzidenz-Grotesk for. Condensed italic with the author for commercial use or for any support its own.... Means sans serif preceded the first weight of Akzidenz-Grotesk Next use or for any....

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